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Sheila Pepe: Hot Mess Formalism


  • Bemis Center for Contemporary Arts 724 South 12th Street Omaha, NE 68102 (map)
 Sheila Pepe,  Short Stack , 2017, wood, paint, gloss medium, collection of the artist. Photo credit: Alan Weiner

Sheila Pepe, Short Stack, 2017, wood, paint, gloss medium, collection of the artist. Photo credit: Alan Weiner

Sheila Pepe: Hot Mess Formalism is composed of more than 70 works, including the premiere of a site-specific work created exclusively for Bemis Center for Contemporary Arts. Visitors will experience the spontaneity in Pepe’s immersive structures, sculptural assemblages, and other works in the broadest examination to date of an artist who poses a formidable challenge to conventions of museum display, identity, and craft.

Pepe first received significant recognition in 1997 with her participation in an exhibition at the Institute of Contemporary Art (ICA) in Boston entitled Gothic: Transmutations of Horror in Late 20th Century Art. The artist’s name has since become associated with her large-scale crocheted installations and their conceptual engagement with feminism, queer theory, and economic class, themes that were highly prevalent in the art-world-discourse of the 1990s. What Hot Mess Formalism seeks to expand upon is the critical perspective through which Pepe is viewed, encompassing a wider range of influences and impulses. This includes the artist’s reinterpretation of the readymade, the historic concept coined by Marcel Duchamp, which is evident in her earlier pieces as well as her found-object installations and situates her work within the larger trajectory of Modernism. Additionally, considering Pepe within the current historical correction on the contributions of women artists provides further understanding, positioning her alongside figures including Magdalena Abakanowicz, Lenore Tawney, and Sheila Hicks, who pioneered a fiber-based practice more than 60 years ago.

Hot Mess Formalism aims to provide visitors with a comprehensive understanding of Pepe’s work and appreciate the role she has held as a thinker and innovator for nearly 30 years. Visitors will also be able to view a remake of Pepe’s Women are Bricks (mobile bricks), a seminal piece which brought key elements of Pepe’s work to the forefront: domesticity, fiber, ceramics, and craft. There will also be a wide selection of sculptures, drawings, and other works on view. 

Hot Mess Formalism is curated by Gilbert Vicario, The Selig Family Chief Curator, Phoenix Art Museum. 

Hot Mess Formalism is organized by Phoenix Art Museum and is traveling to several venues accompanied by an illustrated catalog with contributions by Julia Bryan-Wilson, Elizabeth Dunbar, Lia Gangitano, and Gilbert Vicario. The publication is designed by Miko McGinty, Inc. and is distributed by DelMonico Books•Prestel.

Earlier Event: June 1
Reality
Later Event: July 12
Isa Marcelli